가상현실 분석 도구를 이용한 정선의 《경교명승첩(京郊名勝帖)》 중 〈녹운탄(綠雲灘)〉 분석

초록

The Scenic Views of Kyonggyo (Kyǒnggyo myǒngsǔng ch'ǒp (Korean text)) is a two-volume album of poetry and paintings in 1740 by Chong Son (sobriquet: Kyomjae) during his time serving as magistrate of Yangchon. It captures scenic views from his travels along the Han River. Among these, three paintings (Nogunt'an (Korean text), Tokpaekt'an (Korean text), and Uch'ǒn (Korean text)), feature major viewpoints along the South Han River. Each has encouraged scholarly debates on the exact locations depicted in the album due to the scarcity of historical records and topographical changes of the area's natural landscape. In particular, there has been no research that identifies the viewpoint and pictorial subject of Nogunt'an. This difficulty arises from two factors: first, the absence of architectural structures depicted in the painting, and second, the submersion of a rock that had once been significant landmark due to the construction of the P'altang Dam. These factors have made it impossible to fully match the painting's historical landscape with its present-day appearance. This study aims to overcome these limitations by reconstructing the landscape in a virtual space. By analyzing topographical changes and utilizing image similarity evaluation techniques from the field of computer graphics, this study also propose the precise viewpoint of Nogunt'an, which previous studies were unable to clearly identify. Additionally, this research examines the fisheye lens distortion and panoramic composition techniques that Chong Son frequently employed in Kyǒnggyo myǒngsǔng ch'ǒp and his other landscape paintings. © 2024 Art History Association of Korea. All rights reserved.

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